Above is the full stereo broadcast edit of the soundscape. This piece was submitted and successful in application to be included in the 2 week broadcast event ‘Radiophrenia’ (Glasgow’s Centre for Contemporary Art, Scotland) 2019.

In addition to the women’s voices, synthestized ambient geological and elemental sounds have been designed and sonified. These sounds cross over between military, machinic and volcanic/elemental sounds made using a Moog modular synthesizer. Some field recordings are also included in the soundscape, where effects and sounds interact in space, blurring recognition of any particular sound, space or time.

Carly Fischer’s work is surreal, her surfaces and textures are completely fabricated and re-fabricated. Her work is eerie in a fascinatingly detailed banal non-reality that constantly shapeshifts.
Her installations weave found and fabricated fragments into alternate narratives that suggest a more ambiguous contemporary context. In her installations, a souvenir, an artefact, an advertisement, a song or a piece of roadside trash becomes a point of departure for investigating the broader context that surrounds it. Through sampling, remixing and reconstructing these collected objects and stories into new sculptural and audio propositions, Fischer reflects on contemporary place as a complex mix of facts, fictions and fantasies.